Showing posts with label Acoustic. Show all posts
Showing posts with label Acoustic. Show all posts

Wednesday, March 8, 2023

Isla Invisible; Adiós Cometa; The Ducks; The Bordellos; Brian Bordello; Gilla Band; A.N.J.A.; Kid Gulliver; Suckling; Neon Kittens; Smashing Red; The Postmen; and Salem Trials

Been gone for a couple of weeks, and while on vacation I realized I had starred in my inbox a butt ton of new releases I've been neglecting to share on here. I'll be playing some of these on my hour long KPISS.FM show this Saturday at 5PM Eastern, but you saw and heard it here on the blog first!

From Velvet Blue Music, a 4 song nu-gaze split from Isla Invisible (Puerto Rico/NYC) and Adiós Cometa (Costa Rica). This came out back in July of last year, I missed it. CDs and tapes still available:

Also missed, the Duck's (England) full length, Enter the Cloaca got released in December. The Ducks are nuts, and the lead off track, "Give God a Bone," proves it. Check it out:

In January, the Bordellos released as a free download The Sunday Experience, originally released as a one sided 10inch vinyl EP on Benevolent Antenna Records. Good luck finding that. Y'all know I love the Bordellos:

And in late February, Think Like a Key released Brian Bordello's Songs for Cilla To Sing, a solo acoustic full length that is already on my best of the year list:

A buddy at work turned me on to Gilla Band from Ireland. Their newest single, "Sports Day," is rad:

Belfast's A.N.J.A. has a new single called "Witchmother," it's rockin':

Here's a good new power pop single from Boston, "Kiss and Tell" by Kid Gulliver. Came out in January:

Austin's Suckling has finally released their debut album mid-February, I caught them opening for Jesus Lizard in 2018. I remember there only being two guys on stage and maybe a drummer, but it looks like they're a four piece now. Great noise rock, though they used a sample I have also used in a Legless Crabs song and I'm totally upset (j/k):

Metal Postcard Records has more new releases than you can shake a stick at, with a packed release schedule coming up this month as well, so catch up on these, from Neon Kittens, Smashing Red, The Postmen, and Salem Trials:

Alright, I still have 64 starred releases to check out, the oldest dating from mid-February, but ruminate on these, and I'll try and post again tomorrow. Friday I'm going to work on my KPISS.FM show -- will be featuring stuff from France and Marrakesh! Will be a lot of fun, tune in. And thanks for reading -- go support these artists if you hear something you like.

Thursday, December 29, 2022

CNQ Video Debut: Geiger von Müller -- "Space Digger #2" from new album "Slide Sonotas I."

Hey check it out, it's the world premiere of Geiger von Müller's video for "Space Digger #2," the second single from his excellent new album, Slide Sonotas I. Based out of London, von Muller's Bandcamp page describes him as "a solid proponent of the neo-cubist semi-deconstructionist blues scene;" and the album "(explores) the pure sound of slide guitar." It's acoustic, avant garde, and awesome.

The album premiered on It's Psychedelic Baby and the first single's music video, "Space Digger #1," premiered over on Grateful Web. Here's what other folks had to say about the Slide Sonotas I.:

'Avant-garde slide maestro' -It's Psychedelic Baby Mag

'Exceptional great piece of guitar playing' -Rebellious Jukebox

'completely unique musician, instantly recognizable with a sound all of his own' -Roots & Fusion

'the right kind of strange - very creative' -Backporch Blues Ramble

The quirky video was directed by Atilla Riegler, with Lego stuff by Red Ey. Geiger says the theme is "Classic Space: exploration, science, creativity. No conflict." Slide Sonotas I. has a space-like feel throughout it, so that tracks.

Geiger also says, "I swear to God I never heard about the movie Gravity with those rad visuals until I watched it this week. Thus Space Digger #2 is in no way plagiarized from that movie. Also, we have aliens and a flying saucer, which they don't."

Enjoy!

Monday, December 26, 2022

Geiger von Müller video for second single from new album "Slide Sonotas I." debuting on CNQ 12/29/2022

I'm pretty behind on sharing Clean Nice Quiet and the Shanno Whamo World KPISS.FM shows, so do click on those links for the archives of both shows in order to enjoy quality radio content (to the max).

This Thursday, 12/29/2022, at midnight U.S. Central Time, CNQ is proud to announce the debut video for "Space Digger #2," Geiger von Müller's second single from his most recent album, Slide Sonotas I. Slide Sonotas I. is an avant garde acoustic implosion of an album, it's been in heavy rotation here at CNQ headquarters since it's release in August. Excited to get to debut the video for the track.

Tuesday, April 6, 2021

UK Night: The Bordellos, Vukovar, Salem Trials, BOYA

On April 20, The Bordellos' second double A-side of the year will be released via the always amazing Metal Postcard Records. I've been lucky enough to receive a sneak listen to the two tracks, The Daisy Master Race and Cultural Euthanasia. Long-time fans of The Bordellos and Brian Bordello's solo work will not be disappointed. The Daisy Master Race is a delightful acoustic pop ditty about a shit-head "real life beautiful talented songwriter who writes beautiful songs but is a real-life right wing, fascist, homophobic, sexist, race hating bastard," sung and strummed by Brian, and Cultural Euthanasia, sung by Dan Bordello, is a mean little psych-out. If you haven't heard the Bordellos, or worse, are not a fan, then I encourage you to think about your life choices up to this point, and get hep. Here is that first double-A side, released back in early March:

Speaking of Dan Bordello, his other band, the gothic post-punk Vukovar, has announced their follow-up to last year's excellent The Colossalist. Called THE GREAT IMMUREMENT, it will be released on CD by the Russian label Other Voices Records, to be shipped May 25. I got the Colossalist on CD and the packaging is really slick, they did a good job. Here's the video for the single When Rome Falls:

Speaking of post-punk from the UK, Salem Trials has a super-bitchin' new single called Children of The CRASH you gotta check out. Andy's noisy guitar and chuga-chuga rhythms always pair well with Russ' sprechgesang vox:

Salem Trials are extremely prolific, so they've also got a new full length release on their Bandcamp page called Refuse To Die, "a collection of songs recorded during various sessions between October and December 2020, and vocals and additional instrumentation added March 2021." Here's the first track off that album, We're Not The People:

And don't forget to check out their double February full-length releases over on Metal Postcard Records, No Waving and File Under Concrete. Here's a track off each release:

And finally, speaking of Metal Postcard Records, and I do so very often, you gotta check out BOYA's Momentary Moments, released back in February. This low-key, ambient 5 song digital EP mixes electronic and acoustic sounds for maximum mesmerizing effect:

Sunday, August 16, 2020

Brian Bordello, YUVEES, and LIEEK

"The King of No-Fi," the second solo album from Merseyside's Brian Bordello, is now available as a digital release from Metal Postcard Records. 14 tracks of just Brian and his acoustic, recorded at home over furlough during quarantine in an "automatic" style (see the last CNQ post for an interview with Brian for more on that).  

Both guitar work and vocal delivery combine for some of the best melodies I've heard from Brian, be it solo or his work with The Bordellos, and the album as a whole is a singular, stunningly ethereal work.

As Brian touched upon in our interview, there's not as much amusingly caustic cynicism in the lyrics as in previous releases. There are still many touches of his dry wit slash wry humor (the track "Motherfucker" comes to mind, and the lyric off "Rock and Roll is Dead" -- "The air is full of everybody's sneezes/and I don't care if I catch the diseases/Rock'n'Roll is dead"), but for the majority of the record there is a tender, nostalgic theme that connects each song to the other. At various points it is simply heartbreaking in its honesty and emotional directness ("Lone Piper," "In My Dreams," "God Bless You Jesus," "So Sad"), and with each song Brian manages to make you feel like you're sitting in the room with him as he's recording. And maybe he's even glad you're there, despite lines like "not being deceictful/but I don't like many people," from the track "So Sad." He's not going to give up being wryly caustic all at once.

Brian is always a formidable underground talent, and this album cements his position as "King of No-Fi." I've been waiting for "King of No-Fi" since it was announced earlier in the year -- is it possible I wasn't going to enjoy it? Odds were low I wasn't going to at least get a kick out of it, but I sure didn't know it would exceed all my expectations, and be an automatic contender for album of the year. 

These next two releases I discoverd recently, and were released earlier in the year. YUVEES are from Portland and their album "Human Dance," released back in May, can be ordered on cassette or downloaded digitally. LIIEK is from Berlin, and their self-titled album was released in April. It can be dl'd digitally or ordered on vinyl from adagio830.

Both albums are instantly recognizable post-punk in their separate ways, each still sounding fresh enough to not feel like tired, boring rip-offs of the bands who pioneered their respective sounds. I fell in love with both these albums on first listen - maybe you will too:

Friday, August 14, 2020

Brian Bordello Interview & First Listen Track "Sing Along" from His New Metal Postcard Records Digital Release, "King of No-Fi"

Brian Bordello's latest solo album, "King of No-Fi," is coming out on Metal Postcard Records on August 16, and loyal CNQ'ers know I'm a Bordellos fanatic from way back. I couldn't be more excited about this release. Brian was kind enough to (virtually) sit down with me for an e-mail interview the other day. We chatted about nostalgia, which is a major theme across King of No-Fi, his family band the Bordellos, and bands/songs we don't like. After you read the interview, check out what I do believe is the worldwide premiere of the first song off the album, "Sing Along." If this isn't the worldwide premiere of the song, apologies to whoever did premiere it!

Matt (M): The King of No-Fi is about to be released by Metal Postcard on August 16. You wrote and recorded this on furlough during the quarantine, correct? Can you talk about your mindset during this time and how it may (or may not?) have impacted the new record?

Brian (B): These songs are quite strange as i never actually wrote any of them before i started recording them , i just picked up my guitar set up the mic and sang whatever came out and whatever i played and that was the song . i have always wanted to try and capture the soul of a song . and i suppose being on furlough and only really being able to see my wife and daughter for months ,one's mind tends to float back to various memories and various people ,so i think this is why this album has quite a nostalgic almost romantic melancholy a loneliness about it as i tried and capture the mood , and because a lot of my songs quite often have a little playfulness in the lyrics with some bad puns ,there is a lot less this time around .whether that is a good or bad thing i do not know. But the isolation certainly played a part in the sound and feel of it.

M: Gary Glitter is one of my favorite Bordellos songs. It succinctly covers something art and music lovers are always struggling with, perhaps a little moreso these days, in regards to separating the art from the artist. My mantra for that is "I only separate art from the artist if I enjoy the art." Would you agree or disagree? Is there a point, do you think, where someone transgresses so much in their life that their art should not be separated from who they are, or what they've said or done?

B: Garry Glitter is also one of my favourite Bordellos songs , i have no trouble in separating the art from the artist ,but that is my personal opinion i can understand why people have trouble . let's be honest Garry Glitter raped children which of course is abhorrent and i can quite understand why people no longer want to listen to his records ,but i can separate the two him having sex with a 11-year-old does not make "the Leader Of The Gang " not a fine single. also where do we draw the line people , i know i got a certain amount of flack from some people about writing it ,but for a fact some of those wagging their fingers are huge john lennon fans .and lets be honest he was no angel , he was a violent ,drug taking wife beater ,but they seem to forget that ,and Joe Meek , he shot his landlady with a shotgun and people seem not to have a problem with that .and two of my musical heroes are both John Lennon and Joe Meek . so i have no problem seperating the two .

M: I really enjoy your diatribes on In The Mind of a Bordello. I still chuckle over the line about Liam Gallagher walks like he just shit his pants. I know you also are not a fan of post-Barrett Floyd. Do you think a lot of our musical tastes and opinions depends on how much exposure we get to it? I mean, do you think you would hate Oasis or Dark Side of the Moon so much if you hadn't been over exposed to th by constant radio and video play?

B: i enjoy writing them it is so much fun writing bad things about records you hate , one of the things that annoy me so much about the current culture of not being able to ctiticise things without people fainting in shock and horror . I think i would hate both Oasis and post Syd Barrett Pink Floyd just as much as if i had never heard them before and just heard them the once i wish i only had heard them once as let us being honest about it .they are both terrible Oasis are basically chancers who discovered that having mop top haircuts and walking like you have taken a toilet break in your jeans ,which actually is probably the best thing about the band ,much more entertaining than their music ,i could quite happily watch Liam walk up and down all day as long as he did not have to open his mouth to sing those horrible badly written paint by number pop rock songs Noel writes , the reason he writes such dribble has become apparent over the years and that is he is a talentless cunt who spends so much time concentrating on stopping his eyes from falling out .which is why he looks the way he does . i am sure it must be a medical condition. . and post Syd Barret i might actually hate more , luckily they do not seem to get played as much on the radio than Oasis do over here anyway , so i do not tend to have them assault my ears as much as Oasis ,

M: Just last night Bowie's Space Oddity came on and I was like, Christ, I never liked this dumb song, but I would up listening to it again, and even singing along and grooving to the breakdown, despite myself. Is there a particular dumb, overplayed song you could go your life without hearing again, but when you do hear it, you wind up singing along, or maybe it gets stuck in your head despite your best efforts?

B: That happens a lot . the evil magic of pop music , Radio Ga GA by Queen is one of those for me a chance hearing of that song can put me in a bad mood for a week ,i have actually walked to a shop about a mile further away to buy something because the shop had that playing on the radio when i went in ,i should not have bothered because all the way to the other shop i was humming all i can say is radio ga ga radio goo goo ,it drives me insane .

M: I don't mind Radio Goo Goo, but I never heard it until my early thirties. When I was a kid I hated Bohemian Rhapsody, even after Wayne's World, which I was the right age for.

B: Bohemian Rhapsody i love , i am old enough to remember that from the first time it was released in 1975 i would have been 8 and even then in the 70's when there was some strange records in the British charts ,that stood out as being slightly strange and it reached number one . .as my daughter once said as i made her watch reruns of old 70's Top Of The Pops "no wonder your generation are so weird"

M: There's a lot of 80s pop and rock that when I was a teen I thought was garbage that I've come around on now. Hair metal and new wave hits come to mind. Is there anything you hated for years as a youth and have now come out the other side on and like, or even love?

B: that is a very good question , there are loads of records i could not stand i hear on the radio now and i all of a sudden really like it ,i think a lot has to do with nostalgia weaving its spell ,you can hear a song and you are suddenly stood opposite a girl you really liked or with some old friends you have not seen in years . Freebird by Lynard Skynard i always hated . it was always on the jukebox in a snooker hall i used to hang out in all the time as a teenager so i use to complain about it every time it came on saying how shit it was ,but now when it comes on it takes me back to those days of being sixteen surrounded by old friends having a great time complaining about the song i am now getting all teary eyed nostalgic about , the magic of music and why to me it is the greatest art form .

M: O man, I turn the station every time Free Bird comes on. But I know what you mean about getting misty eyed over something you had disdain for as a kid. Or even something you loved and still loved -- I was tearing up at You're Gonna Make Me Lonesome When You Go just last week. A piece of nostalgia got in my eye I think. That's you on the cover of King of No-Fi, isn't it? How old were you when that pic was taken? Where were you? Any particular reason that photo was chosen?

B: Bob Dylan is a master at writing tear worthy songs.it must be said . it is me on the cover i was aged 21 and i cannot remember where i was ,it was taken by an old friend i think Roy Bradley but i could be mistaken , the reason i went for that photo was the lp is called the King Of No-fi and it comes out on the 16th of August which is the anniversary of the death of the king of Rock n roll Elvis Presley and in my younger years was a bit of a rock a billy as my quiff might tell you. and also, the lp has a nostalgic looking back feel about the lp so i thought a photo of me at 21 somehow might be fitting .

M: Going back to the Bordellos, the band is primarly you, your brother Ant(hony?), and your son Dan, correct? I know Dan's doing great work with Beauty Stab. Is Ant still active musically? Will the Bordellos record again or is it officially defunct?

B: Is Ant still active musically .. some would say he has never been active musically.. including myself.. , there have been many members of the Bordellos over the years .but myself Dan and Ant have been the only bordellos for about the last 10 years or so . my daughter Nia joined for a bit on bass and she played on our Julian Cope tribute ep released on Metal Postcard a couple of years ago . The Bordellos have not split up , we recorded a new lp over the lock down when Dan became the bubble family member and he was allowed to enter our house again and he stayed for a week so we recorded a lp on my 4 track . sadly, Ant was not allowed to enter the household so could not join in the recording . so it will be the first lp recorded without Ants lack of input .which it is missing, Ants lack of input is defiantly missing .. we will no doubt have him as the cover star on the album sleeve though and call the lp Ant less Music.

M: You recently released what you said were probably the last of the Onion King tapes. These are primarly comps of unreleased material, right? Can you talk a little about the series? What years do they span, were they recorded for kicks or for projects that didn't get released, why this will be the last one, etc.?

B: they were recorded late 90's early noughties on a 4 track tape recorder at Ants house , we were called Onion King and was basically the bordellos but not yet called the bordellos , it was myself Ant and Gary storey who played bass and would stay with the bordellos till 2009 and occasionally a pre teen Dan who came to mess about and occasionally play some instrument ,even aged 8 he was a talent . we would meet up and just record ,with no plan but just to get drunk on a Friday night and record songs i had written , alot of the songs we would later rerecord when the other three members joined and we became a six pieceand became serious and some we would rerecord when the other three had left again became less serious and replaced by a now 14 year old Dan . I loved the recordings so have been releasing them a free to download ep series , we must have recorded about 100 songs as onion king in that way . but alot of the cassettes have gone missing over the years .so unless i stumble across some of the missing cassettes .that will probably be the last one.. but there is a good chance i have some knocking around somewhere probably unlabelled at a bottom of a box.


M: Is everything you record on four track? What type of four track do you use? If presented with the opportunity, would you record digitally? Or do you have an aesthetic dislike for it?

B: Not everything i record is on 4 track ,it depends where i am , at home i only have an old tscam 4 track tape recorder which is why most of the songs i have released lately have been 4 track recordings. the bordellos mostly have recorded digitally ,normally on Dan's digital 8 track .the first two bordellos albums was recorded in a 32-track studio that Geoff and Vinny who used to be in the bordellos at the time had which was a old converted barn in the middle of the countryside. we have also recorded straight onto an old ghetto blaster and even onto a mp3 player nothing is too lo-fi ..

M: Thanks for talking with me, Brian! After King of No-Fi, what's up next?

B: next up is the Bordello and Clark lp which i recorded via two 4 track tape recorders over 3000 miles apart with myself and Ted Clark who lived ohio at the time . that was recorded in 2018 and was due out last year but due to being messed about by a few record labels has not yet seen the day , but am in the process of sorting that out with a new label i am quite excited about .so hopefully that will come to something . 

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So, I haven't uploaded a song in forever, and Google has re-designed their Sites page, and tonight is my first night checking it out,and I've had a few brews -- I cannot figure out how to easily embed "Sing Along" into this blog page. However, if you click on the link below, you may be able to listen and enjoy. If not, then "King of No-Fi" releases on Metal Postcard August 16!

Brian Bordello: "Sing Along"

Sunday, April 12, 2020

Proto Idiot, Andrew Anderson, Sauveterre, and Fuzzsucker

A full month in sequesterin' myself off. The missus and I are doing fine and we hope the same for you and yours. Hoppy Easter.

New from Manchester's Proto Idiot, featuring Andrew Anderson of Freak Genes and just ya know l'Monde de Cool:

Back in July of last year, Proto Idiot released a full length that I totally slept on. Here's a video from the song "I Like To Think." I dunno why these guys aren't making millions doing stadium shows, so fuckin' cool:

Meanwhile Anderson continues to fill out his quarantine album "Music Album Idea," now at 11 songs after almost a month since he first posted it to Bandcamp. Here's the most recent track. Again, how am I the only person to have purchased this album on Bandcamp? You fools are sleeping on Anderson:

A new discovery for me, courtesy Hex Windham, is New Orleans' Sauveterre, a French ex-pat doing absolutely gorgeous folk pop. Here's a couple of his recent tracks:

And to wrap things up, a collaboration between Melbourne's Fuzzsucker, and someone named Dirty Juice Boy. Nutty stuff. They set the price for this at $666, and like sure that's funny, but I would drop $10 on this. Maybe they don't need my $10. Here's a great track from it:

Friday, November 8, 2019

Punk from Argentina, Miami, and Boston; Acoustic Folk from Rwanda.

CNQ has an interview with Sean from Metal Postcard coming up, that'll be cool. I recently got on MeWe, which is touted as a next-gen social media site, but I know Google Plus when I sees it.

Got back on Fallout 4 with a new character, Red Blackhead, and a random start DLC, which takes away the burden of being the Chosen One or whatever. Such a burden. Still finding new things in that game. Never had an NPC talk about Halloween in the game when it's actually Halloween in the game! And met a guy who wouldn't sell me his dog. What a great game.

This Talactus S/T was released back in July. 13 or so minutes long, 15 song Argentinian punk album that is enjoyable all the way thru:

SHOVEIT is a three-piece punk band from Miami, FLA. Their debut EP "EFF U" is a tight 4 song, 9 minute effort that draws on 90s and early oughts pop-punk. That's usually not my bag, but this EP is highly listenable. I got it on repeat. Click the link to EFF U and it takes you to a site called Songwhip, which then directs you to the streaming service of your choice to listen to EFF U, which is neat.

Saw Palehound from Boston open up for Big Thief at Trees earlier in the week. Amazing vox + rockin' Americana, this is off a 13 track album that you should definitely listen to and certainly see the band if you get a chance:

The Good Ones, RWANDA, you should be loved. I love this 12 song album, which clocks in around 40 minutes. I can't think of a reason why you wouldn't love this, it's beautiful:

Monday, May 14, 2018

New from Bandcamp: Lo-Fi Acoustic from Tennessee, Now Wave from London, Punk from Austin and Portland.

I've begun a May podcast, this time with a lot of stuff from my vinyl vault, which loyal readers will remember is a bunch of records piled around on the floor. In the meantime, here's some new stuff from Bandcamp:

Singer/songwriter and acoustic guitar, lo-fi anti-folk from Tennessee, digital dl for pay what thou wilt. I wish this is what I was doing:

First song off a five song EP you can get on cassette or digital, released by Sad Tapes in London. Bo Gritz also based in London -- bad ass now wave. Cassette is 5 pounds or digital dl is 2.50:

First album for these punks from Austin. An 8 song effort, pay what thou wilt:

Radicalness from Portland. 5 song digital album for $4:

Saturday, April 28, 2018

Resonance FM + Occult Character

Here's that show from Resonance FM's show Pull The Plug, featuring Occult Character's "Bad White Men!" So proud!

From Resonance FM's Mixcloud page:

"Resonance is a trail-blazing, not-for-profit radio station dedicated to the arts and culture. From its launch in 2002, its award-winning programming has given voice to the vibrant diversity of London's thriving arts and music scenes. Resonance's pool of creatives speaks directly and expressively to an engaged and passionate audience, locally, nationally and internationally. Our 24/7 broadcast service combines its FM signal in the City with DAB digital radio coverage across Greater London."

Tuesday, May 20, 2014

Clara Barker: Fine Art & The Breslins (2014)

Clara Barker is a singer/songwriter from the Isle of Man. "Fine Art & The Breslins" is her second album, and her first for Small Bear Records. You can purchase this 11-song album via this bandcamp page. Purchases on bandcamp will include an additional four bonus songs. This is really pretty stuff. Clara kind of has a Mazzy Star thing going on, I think. Check it out:

Here's a brief little Youtube vid'ja about the album:

Tuesday, May 14, 2013

The Dying Seconds: Panacea EP (2013)

Here's the press release for The Dying Seconds' Panacea EP:

"Panacea marks a slight departure for the band, with almost exclusive emphasis on acoustic instruments and live performance - for both the EP's tracks and the video for 10-4 where we recorded live vocals in the epic reverberance of the Greenwich Foot Tunnel under the Thames. The performances for Panacea were captured in our house in Brixton and our studio in New Cross, South London.

We're delighted to follow up our sophomore album, Glimmerers, with this live EP, both as a sidestep in style and a stepping stone to our next full album which is due later this year."

I like this EP. Pretty, mellow, short songs. Enjoy!

Friday, May 3, 2013

We Are The West

We Are The West are a Los Angeles-based duo that play really pretty, laid back acoustic folk jams. They just released their second recording, EP II.

Here's what WATW's website has to say about them:

"We Are The West uses sound and space to create an experience that is welcoming and honest. The Los Angeles-based duo has recorded in storm drains and shipping containers, performed on sheep farms and in abandoned convents, and now hosts a concert series in the underground parking garage of an office building in Santa Monica the Saturday night before each full moon. This spring they release the second in a four-part album of recordings, this installment handcrafted with love and care in a barn in Western New York during the summer months. Next month they release the second in a four part album of recordings."

The wife and I recently went to see James McCartney (Sir Paul's son), who is doing a tour with just himself and whom we assume is his man-servant. McCartney played folk guitar and piano ballads and, while technically proficient, his songs really lacked melody and, just as important, conviction -- most of them featuring vague lyrics about butterflies, rainbows, or butterflies and rainbows. We felt it was particularly bad, but others in the crowd seemed into it.

The three tracks on We Are The West's EP II, while operating in the same folk mileu, are the exact opposite of what Son-of-Paul was doing the other night. The sound is melodic, wide open, and haunting, and the singer has a sincere, distinctive voice. While McCartney may have been sincere (although at one point he freely admitted his songs weren't really about anything), the only thing distinctive about his voice was that it was often pitchy.

I don't mean to rant about James McCartney, we just really didn't care for it. We Are The West, on the other hand, is cool stuff, so give it a listen!