Tops type of grindcore from California:
Also from California, of course Nails' 2016 3 song EP Obscene Humanity is bad ass:
Music for the messes since 2012. Into the obscure, the underground, and the other stuff. Clean Nice Quiet is live on KPISS.FM every Saturday from 5 to 7 PM US Eastern. Live on 8K.NZ every Thursday 9 PM US Eastern. SUBMISSION GUIDELINES: E-mail your rad tunes to: matt (at) clean nice quiet (dot) (com). In the body of the e-mail, please include a publicly available file or link. Please do not submit anything under embargo. Feel free to send when it is publicly available.
Tops type of grindcore from California:
Also from California, of course Nails' 2016 3 song EP Obscene Humanity is bad ass:
"Plowhards Revenge Potion No.4" is a fun punk single from a new Recess Records release, Round Two, by Jumpstarted Plowshards, due out in October. I didn't know it until just now but Jumpstarted Plowshards is Mike Watt (The Minutemen, fIREHOSE) and Todd Congelliere (F.Y.P, Toys That Kill). Maybe like, mention that on the Bandcamp page. I guess you just have to be in the know. This will be their second release.
Here's some interesting new musique concrete frmo Arizona-based artist Cecyl Ruehlen:
This is older, from 2015, but there's a new physical CD for it. Great combo of cumbia and garage-psych:
I haven't heard from Boss Rush in a while, their new 3 songs are, well, boss. It's from a split they're doing with a band called KinZie, I didn't get a chance to listen to KinZie today. Boss Rush are a married couple out of Birmingham. Great rock'n'roll:
Finally, Detroit's Tyvek has a new album due out in November. The first two songs on the album are available, great stuff:
Alright, 4 days, 4 posts in a row! I'm officially in manic terriority, so soon I'll burn out and you won't hear from me on here for 3 months. But, one way or the other I will be doing the Clean Nice Quiet KPISS.FM show -- remember this Saturday I'm going to start doing TWO HOURS every week, from 5 to 7 PM EST. Can't wait!
The Gents from Hamburg have a really bitchin' new 5 song release on their new label, Creepy Kid Records. Super noisey, super cool:
Check out this no wavey "experimental pop" single from peopling, which is the solo project of Ronnie Gonzalez. It's the lead single of an album that's due out October 27 from Already Dead:
Aggro garage punk single from London's Rifle, off a 5 track EP also due out October 27:
I fell in love with this today, great new punk from Cincinatti:
Ohhhhh man, this is so heavy!!! From an album called Bleed Yourself which, weirdly is also due out Oct. 27. What's up with that?
Fun arty post-punk single from Baton Rouge's SPLLIT, off an album called Infinite Hatch due out...October 27!?!?
From the DuPage County HC archives page, here's a righteous blast of punk from 1993:
So I've grown weary of "egg punk," but if you haven't, and you don't follow Goodbye Boozy, then you're missing out on a lot of new egg punk:
Here's some dancey post-punk, a welcome change from the snotty 3 chord eggpunk formula, a bitchin' new single called "Coming Our Way," from the Washington DC band Light Beams.
A dreamy, quiet single from NYC's June McDoom:
A great, trippy single from a label called Förbjudna Ljud based out of Stockholm, Sweden:
Already Dead Tapes has a split with two new Chicago acts, noise rockers Urine Hell and the industrial/experimental NÜDE. Super cool stuff:
Finally, here's a couple of cool new videos:
Exhumed, rad "gore metal" from San Jose, has new vinyl pressings of their 2017 album Death Revenge and their 2019 album Horror, Horror. I've only recently gotten into Exhumed but I've enjoyed everything I've heard. The line between extreme metal, powerviolence, thrash metal, grindcore, and death metal have really blurred over the last few years, if there was ever lines demarcating them to begin with. I dunno, as mentioned above, I'm an idiot:
Speaking of blurred metal lines, Riversleem are "emo-violence" from Saskatchewan. I listened to their new EP A Second Release today and really enjoyed it. Super heavy and fast, and the tone of the screamage is pro. It qualifies as rock'n'roll to me. I love/hate when I listen to something and I see it promoted as "For Fans Of:" and it's four or five bands I've never heard of. I try to keep up but it's tough, man. You understand.
You can get Riversleem's A Second Release either digital or on vinyl here, from Zegema Beach Records:
And I guess someone found some unsold CDs of this Pinback re-master. My old-timey goodtime buddies are all into Pinback, but I never grokked it. I did catch Goblin Cock once and they ruled. Anyway I listened to the first three songs on this today and enjoyed them enough.
Anyway, send me your stuff, if I like it I'll play it or feature it here. I'm going to make an effort to post more often -- over the last eleven years of doing this blog, I've said that often, and Phantom Liberty just came out, so I can't make any promises. Even if I do fail to post more often than I like, there will be the KPISS.FM show on the reggie, as mentioned above every Saturday from 5 to 6PM Eastern. All songs are considered, as long as you send me a publicly available link or file.
Rat Motel's full length The Rat Motel is finally out, it's great stuff, I've been playing tracks from it on the show. Here's a killer new single from The Rat Motel, "Dead Man."
Ginger Root's got a new EP up on Bandcamp, plus vinyl. This came out in September 2022 apparently, but Huntingon Beach's finest purveyor of "aggressive elevator soul" didn't upload it to Bandcamp until this week:
Hip-hop fans should take note of Baltimore's Jay Royale's new full length, Criminal Discourse. 2020's The Baltimore Housing Project is a classic as far as I'm concerned, and what I've heard so far from Criminal Discourse does not disappoint:
My buddy Christo from the excellent Echobox music program The Hidden Fruits of Terra turned me on to this Australian/Dutch failed children's entertainer and art-punk musician, Bumble B. Boy. Fun stuff:
For hardcore fans, Choir Boys from Germany have release 30 Years of Choir Boys. Killer blastbeat, plus they got cassette and t-shirts:
Speaking of heavyosity, here's some righteous noise. It's the debut album from Verminizer, a band from somewhere in the USA, and they describe it as "blackened grindy noisy industrial glitch thrash," and that sounds right. It gets my seal of approval:
Recorded live at the Hi-Res Records Studio in LA, here's new video for Isaac Watters' "Coconut in the Street," it's a cool track, and from an EP called Extended Play 002, due out August 30:
Leeds' Thank can do no wrong, as far as I'm concerned:
I've featured Hamburg, Germany's David Wallraf on the blog a lot, he does great noisescape stuff, and he has a new releae on the French tape label Falt. The cassette's already sold out, but you can listen and purchase the digital of course. If you're a fan of avant garde, experimental sound art like I am, you should def check out Wallraf's new release, SANTÉ ET EFFICACITÉ:
Finally, would it be a CNQ round-up without bitchin' new releases from Metal Postcard Records???
Rat Motel are two brothers, Seth and Clayton Peacock, from Columbus, Ohio, and I've been jazzed about them since last year's The Regal Sum. Their new album The Rat Motel is due out 6/3, and I've been enjoying the singles "Tutankhamen" and "Owe" and playing them on the KPISS show. Both are super-solid alt-rock tracks; if Seth and Clayton had been around in the 90s, they would've been on Sub Pop or Matador and had videos for these in rotation on MTV, I'm certain of it.
While they definitely draw from the 90s alt-rock well, they don't sound like they're apeing anything. The music and the lead singer's voice (I'm not sure which one is the baritone lead singer) are unique while still sounding like something I've always enjoyed. I guess eggheads call that "hauntological," but it's not like the Peacock bros are making mash-ups of Beach Boys, psych and AM radio singles with the singer going "ooo ooo ooo" in the hallway. It's well-produced, mid-fi, loud, buzzy, thoughtful rock'n'roll.
On this Saturday's show I'll be playing a third single, "Shotgun." Here's the first single, "Tutankhamen":
The debut self-titled EP from Charlotte, NC metal/post-hardcore/prog trio Mindvac is out tomorrow on streaming platforms. The single, "Pastime," is an interesting mix of, as mentioned, post-hardcore and technical prog, I like it:
Paris-based experimental composer/sound artist DAFAKE has two new releases out, Les Miniscules and Live aux Instants Chavirés. For fans of "electro-acoustic mininimalism," DAFAKE works with "a range of experimental recording techniques, DIY instruments and unseen sound sources such as feedback loops, corrupted data and electromagnetic fields processed and recomposed through a modular system." It all makes for interesting soundscapes:
False Walls is releasing a CD of London-based artist Kevin Daniel Cahill's new album Impossible Worlds. Per the press release: "Consisting of two long tracks, the album traces a steady progression as it moves through different environments — initially ambient and isolationist in tone, the work ultimately reaches a form of transcendence. Rooted in Kevin’s guitar-playing, though not immediately identifiable as such due to the deployment of tape loops and effects, the album foregrounds feeling and atmosphere, and its duration and gradual development benefits close listening."
Vessels to Motherland is an electro-acoustic duo based out of NYC. Their new electronic single "Process and Product" is great - atmospheric and dark, with a groovy beat:
Speaking of atmospheric and dark, Eretia is from Spain and their new 7 song release Quietud is both atmospheric and dark -- a fan comment on Bandcamp called it a mix of post-hardcore and post-metal. I'm into it:
Boys Age's new album "Ring World" is out on Bandcamp. "The Ninth Melody" is a great single and I'm excited to listen to the rest of the album. I gush about Boys Age, from Japan, all the time:
The Bordellos have an 11 song sampler new on Metal Postcard Records, Star Crossed Radio. I love the Bordellos, y'all know that:
"Pale New World" is the second single by Brooklyn's Dystopiarch. They say all proceeds will go to benefit the people of war-torn Ukraine, which is nice:
Torquay, England's The Legendary Ten Seconds has a new album out, Astounding Songs, an album of English folk rock songs. The Legendary Ten Seconds is solo artist Ian Churchward and friends. I'm really impressed with his output. After Astounding Sounds he's released Mer De Mort, "recorded to celebrate the 10th anniversary of the Mortimer History Society," and I'm not sure what that is, but congratulations to ten years of it, and another full length, History Book Part One. Great stuff, absolutely unique rock'n'roll:
Michigan's Ryan Allen of Extra Arms and Thunderbirds Are Now! has a new solo album out:
Pittsburg's Merce Lemon has a cassette re-release of their great 2020 album "Ride Every Day."
And Seattle's Mommy Long Legs has remastered and re-released Life Rips (2014) and Assholes (2015) onto vinyl:
Richter Scale Records has a lot of cool new releases out but check out this slammer from Indonesian band SPAD:
Specular-D is a sample-based electronic musican out of London. His new release on Bandcamp You Do You has a single available, "Don't Overcome Directly." It's a trip, man:
DIY label Antigen Records out of Ipswich has a couple of new rockin' releases out. "Silver Thread" by Anna's Bones is a single from someone who may or may not be named Becky Blenko. Cool song with a cool video:
And then "Spooling," the available single from an upcoming full length by Pissabed Prophet, is the tops as well:
On April 21, Lore City Music will will release the debut solo album from visual artist and musician, Eric Angelo Bessel, called Visitation. Intrumental, atmospheric, very groovy:
Finally, a couple of websites to check out. Pop Thruster is making a running list of the Best 1000 Albums Ever. An ambitious project and I'll keep an eye on it, I love lists.
Metal Postcard Records honcho Sean Hocking has a new site for his Bottom of the Pops show, aptly titled Bottom of the Pops. Sean's the man, if you want to have any hope of staying cool, you need to follow Bottom of the Pops.
Speaking of Metal Postcard Records, a trio of excellent new releases from the best digital label on the planet:
Squemish is punk rock out of Atlanta. Their Bandcamp debut Burn Down Stone Mountain is the good stuff:
ASSASSUN's Chronic Quicksand Depression Morning is the new full length from Blackjack Illuminist Records, out of Germany. I've been featuring a lot of releases from Blackjack Illuminist lately, they're putting out rad sounds regularly. Gothy synth-punk, sehr cool:
Magna Zero is based outta LA. Their new album, The Great Nothing, is sprawling r'n'r in the vein of Jane's:
Metal Postcard Records naturally has three new releases out this week:
Featured artist from bandcamp:
"Frozen Peas" by Neon KittensNeon Kittens – Frozen Peas
The Postmen – Cain & Abel
Smashing Red – Hot Sun
Shit Present – Voice In Your Head
Man…Or Astro-Man? – Microverses
Doug Gillard – Ready for Death
Francoise Hardy – Tous Les Garcons et Les Filles
Les Sunlights – Le Deserteur
Images – Les Demons de Minuit
Oum – Taragalte
Jantes – True Dat
Hassan Idedir – Atfalouna
Bab L’Bluz – Gnawa Beat
Gnawa Music of Marrakesh – Baba L’Rouami
Boney M. – Daddy Cool
Oddysseys – Enough
Vicious Blonde – Father
Charity Empressa – A Brand New Shiloh
Kid Gulliver – Kiss and Tell
Suckling – The Harvester
Lost Folk – Golvet
The Ducks – Give God a Bone
Anatomy Of the Heads – How to Fold One Thousand Cranes
Gilla Band – Sports Day
Kilo Ali – Donkey Kong
Bernd das Brot – Tanzt das Brot
French Kicks – One More Time
$T33D$_uv_LUV – Next To Me
Nass El Giwane – Essinya
Baby Cucks – Hot Dog in a Hot Tub
Shit Present's new album, What Still Gets Me, their first release since the excellent 2016 EP Misery+Disaster is due out May 9, and the two singles they have available on Bandcamp are rippers. Only 50 of the 500 LPS they've made are left:
New Death Valley Girls video:
New release from the amazing Syf Records:
Sweden's Löst Folk are at it with 19 seconds of fun:
Anatomy of the Heads are out to pull a G. Gordon Liddy on your mind with a wild new 9 song release out called In the Realm of Allied Barbarians and Tributary Lords:
New CNQ fave The Legendary Ten Seconds has released a comedy song album called The Rejects of Lord Zarquon. Fun stuff:
Berlin's Blackjack Illuminist Records has two new dark ambient releases for dat ass:
A non-Metal Postcard Records Neon Kittens release:
And another new Metal Postcard release, this one from secretive oddball blues lawyers $T33D$_uv_LUV. Imagine Chicago meets the Butthole Surfers ran thru auto-tune. Bizarro World AOR:
Alright, now I only have 30 starred e-mails left before I'm caught up on Bandcamp releases I wanted to check out over the last couple weeks. What a hassle!
From Velvet Blue Music, a 4 song nu-gaze split from Isla Invisible (Puerto Rico/NYC) and Adiós Cometa (Costa Rica). This came out back in July of last year, I missed it. CDs and tapes still available:
Also missed, the Duck's (England) full length, Enter the Cloaca got released in December. The Ducks are nuts, and the lead off track, "Give God a Bone," proves it. Check it out:
In January, the Bordellos released as a free download The Sunday Experience, originally released as a one sided 10inch vinyl EP on Benevolent Antenna Records. Good luck finding that. Y'all know I love the Bordellos:
And in late February, Think Like a Key released Brian Bordello's Songs for Cilla To Sing, a solo acoustic full length that is already on my best of the year list:
A buddy at work turned me on to Gilla Band from Ireland. Their newest single, "Sports Day," is rad:
Belfast's A.N.J.A. has a new single called "Witchmother," it's rockin':
Here's a good new power pop single from Boston, "Kiss and Tell" by Kid Gulliver. Came out in January:
Austin's Suckling has finally released their debut album mid-February, I caught them opening for Jesus Lizard in 2018. I remember there only being two guys on stage and maybe a drummer, but it looks like they're a four piece now. Great noise rock, though they used a sample I have also used in a Legless Crabs song and I'm totally upset (j/k):
Metal Postcard Records has more new releases than you can shake a stick at, with a packed release schedule coming up this month as well, so catch up on these, from Neon Kittens, Smashing Red, The Postmen, and Salem Trials:
Alright, I still have 64 starred releases to check out, the oldest dating from mid-February, but ruminate on these, and I'll try and post again tomorrow. Friday I'm going to work on my KPISS.FM show -- will be featuring stuff from France and Marrakesh! Will be a lot of fun, tune in. And thanks for reading -- go support these artists if you hear something you like.
This Thursday, 12/29/2022, at midnight U.S. Central Time, CNQ is proud to announce the debut video for "Space Digger #2," Geiger von Müller's second single from his most recent album, Slide Sonotas I. Slide Sonotas I. is an avant garde acoustic implosion of an album, it's been in heavy rotation here at CNQ headquarters since it's release in August. Excited to get to debut the video for the track.
Killer live noise rock album from Earth Mother Fucker, a five piece from the UK:
In.Bloom is post-hc/screamo from Lithuania. New single is called "There's Room for Hatred," cool stuff:
From Hamburg, Germany, Against Evil Company by Philomena Lauprecht is, according to her Bandcamp page, "her re-working of the songbook Divine and Moral Songs for Children, first published in the 17th century." It's produced by noise/soundscape artist David Wallraf, who've I've featured on the blog before:
Experimental jazz combo No Base Trio have a new video out for "ST 7," a track off their new full length release, NBT II, which I've also featured before here on the blog, and played on the show:
More wild sounding experimental jazz -- Then Through Now by Henry Dagg and Evan Parker, courtesy False Walls out of the UK:
Keeping in line with tonight's experimental theme, Metal Postcard Records' latest release is the first solo effort from Russ Spence, the vocal half of CNQ faves Salem Trials, mixed by Neon Kittens and produced by the other half of Salem Trials, Andy Goz. The EP is called Attempted Soundscapes:
Another new release from Metal Postcard, this is "See Ya Mate" from the album Dance of the Predator by The Conspiracy:
Desborde is three piece punk from Argentina, their new three song s/t EP is a ripper:
New real deal, killer diller stuff (of course) from Metal Postcard Records -- new EPs from Neon Kittens and Salem Trials, plus a new full length from Occult Character:
Glasgow's Cindytalk has a new four song CD release you can pre-order on Bandcamp, Subterminal, coming out late this year on label False Walls. The available single, "Where Everything Sparkles and Shines," is 7 and a half minutes of that shit I do like. Atmospheric, eerie instrumental, and happens to be perfect for this time of year, but every day is Halloween for me, so:
Portland, Maine's Draudiga has a new 11 song release out on Bandcamp called Persephone. They call it "Americana Noir" and I dig it:
Great new stuff from Lumpy-related St. Louis acts:
From Memphis, The Wirms are a three piece punk act with a new live release, Live at Lamplighter Lounge, via What's For Breakfast Records. Very up my alley:
The Legendary Ten Seconds, who recently released that killer single "The Torqauy Sandyman," have a new folk rock album release with Jules Jones, here's the single, "They Kept on Marching." Love it:
Fir Cone Children is the project of Alexander Leonard Donat, and the new album, Today There's No Tomorrow, out on Berlin-based label Blackjack Illuminist Records, is a ripper, front to back. Fuzzy noisey psychy dreamy weirdo-pop that vocally, sonically, and spiritually reminds me of Andy Anderson's work in Proto Idiot/Freak Genes, which is high praise indeed because I think Anderson hangs the moon when it comes to who's doing what, rock'n'roll-wise. Here's "Quite Okay with Mondays":
And finally, my man Night Shop has a new track out called "Universal City." As far as I'm concerned, this guy Justin Sullivan can do no wrong. He continues to prove me correct with "Universal City":
Catching up on submissions here from August and September. Lot of great stuff!
London's experimental slide guitarist Geiger von Müller has a new full-length album out called Slide Sonatas I. Very cool stuff:
Pete Um from Cambridge has a new full length minimalist synth album out called Surface Zero. Solid:
Also new in the experimental electronic genre, harse noise enthusiast Into the Buzzing Room has a new EP, his first, called Excessive Focus. Into the Buzzing Room is from Münster, Germany. I've featured their previous demo before. Killer diller:
New York's Strange Neighbors reached out to me with three super rockin' singles, "Whoa! Is Me," "Hotline Psychic," and "Window Watching." I like all three but I think I'm leaning towards "Window Watching" being my fave:
Crass Lips Records has a new release from HOTMOM out called On TV. HOTMOM is from Austin, they've been around for a while. I featured a track from them on the old CNQ show all the way back in 2018:
Finally, Alien Nosejob has a new record out on Total Punk in the US, called Stained Glass. The first single, "Beatles VS Stones," is a ripper, as we've come to expect from New Zealand's Jake Robertson (Ausmuteants):
Jay Brown and the Legendary Ten Seconds are out of the UK. They contacted me about their sci-punk track, "The Time Stream," which is pretty good, but I really liked this follow up release, "The Torquay Sandyman."
Did you know there's vinyl available for Santa Sprees' Fanfare for Tonsils? Great album:
Check out this improvisational jazz/noise combo called No Base Trio, based out of NYC. Their second album, NBT II, is coming out October 14th, 2022, on Setola di Maial. Here's a track from it and a video from their first album: