Showing posts with label Chicago. Show all posts
Showing posts with label Chicago. Show all posts

Tuesday, September 26, 2023

New Punk and More

From Florida's XTRO tape label, this band's name is in Greek, so I translated it in Google and it translated it to "SHAMEFUL SHAME," which is a cool band name. Noisey goodness originally released in 2001, SHAMEFUL SHAME is synth punk from Athens, Greece:

So I've grown weary of "egg punk," but if you haven't, and you don't follow Goodbye Boozy, then you're missing out on a lot of new egg punk:

Here's some dancey post-punk, a welcome change from the snotty 3 chord eggpunk formula, a bitchin' new single called "Coming Our Way," from the Washington DC band Light Beams.

A dreamy, quiet single from NYC's June McDoom:

A great, trippy single from a label called Förbjudna Ljud based out of Stockholm, Sweden:

Already Dead Tapes has a split with two new Chicago acts, noise rockers Urine Hell and the industrial/experimental NÜDE. Super cool stuff:

Finally, here's a couple of cool new videos:

Tuesday, January 25, 2022

New Arrivals in Punk from Bandcamp: Ex-Dom (Germany); Riesgo (Chicago); Raw Meat (Chicago); Gusanos Disidentes (Costa Rica); Bourne Ugly (Arizona)

Some submissions to get to, but tonight some excellent brand new hardcore Bandcamp releases. There's a Bandcamp Friday coming up so flag these for purchase on that day, a few of them are available on cassette as well and I'm a big proponent of that, get yourself a tape player, assuming you're solvent otherwise:

Hardcore from Breman:

More hardcore, this from Chicago:

New rock'n'roll, also from Chicago. Killer debut:

Radical shit from Costa Rica:

Menacing bad-assery from Arizona:

Monday, September 13, 2021

And another thing...

Just to keep myself having fun, here's some quick takes from new releases on Bandcamp:

Rad lo-fi bedroom punk from a woman in Chicago:

When you think about rock'n'roll calcifying, when I hear stuff like this, I think we got a few years left. This will be played at weddings in 2057:

Sunday, March 28, 2021

New Stuff for Bandcamp Friday: Lo-Fi, Underground Hip-Hop and Rock'n'Roll from Houston, Chicago, California, Chile and Argentina.

Gearing up for Bandcamp Friday, which if you click that link you'll find out it's April 2nd. Let's check out some new sounds:

Valentine Snow is from Houston. "Basket Case" is a short and sweet 3 song EP of keyboard-heavy, bedroom-produced, indie hip-pop:

Wheards is also from Houston. RTS & CULTR is a 12 song digital album, these three songs they've made available from the album are righteous:

VIBRASOUNDS by Olaf-O from Chile. 4 tracks of fun beats and turntablism:

Here's a cool older split available on Dupage County Hardcore, "created to preserve and make available (for free) the wealth of punk, metal and hip-hop related music released in suburban Chicago in the '80s, '90s and early '00s." The only notes on the release say Bleeding Kansas was from California, so one assumes La Mantra De Fhiqria was from Chicagoland. No idea what year this is from, my guess is early oughts:

From Argentina comes the inscruitably named ♏, they have a new single which is ok, but check out their May 2020 release, ✉, which is 10 tracks of excellent alt-rock:

This two song EP also from the same band, or label, maybe, I'm not sure, since they use icons instead of words, released in May, 2020. Whatever they're called, I'm into it, great sound in an alt-rock vein:

Wednesday, March 24, 2021

HC from Argentina, Noise Rock from Germany, Indie from Chicago, Alt-Pop from the Netherlands, and new Genghis Tron from Poughkeepsie

This post wraps up me playing catch up from being on hiatus. If you would like to submit something to CNQ for future posts, I'll be more inclined to listen and share if you send me a Bandcamp, Soundcloud, or Youtube link to matt at clean nice quiet dot com. I get contacted on the CNQ Facebook Messenger page a lot, but it's easy for me to miss those, just a heads up. I'm not on Twitter anymore, or Instagram or any of the Tick Tocks. Just not my thing. I shouldn't even be on Facebook, that company is swine. But, there's no ethical consumption in capitalism, yadda yadda.

I get requests for me to review an album and I'll mention once again, I'm probably not going to do that. I mean I might, if I get a wild hair, but in general if you submit something I like, I'll share it here with a quick sentence of who the artist(s) be, where they're from, what it sounds like, and that link to your baller-ass sound.

If it's not for CNQ I may or may not respond, apologies one way or the other. But if I don't respond about one thing you send me, please feel free to continue to contact me if you have something else you want me to check out. I enjoy a variety of music and if one thing you submit isn't for CNQ, that doesn't mean the next thing won't be.

And then you'll get listened to by all 4 or 5 of CNQ's dedicated readers/listeners (that number includes me).

Let's get to it:

6 song demo from 2020, Argentina's Emboscada is raw hc done right:

BITE is quality noise-rock from Münster, Germany. This is off a 6 song album released in November 2020 called "Never Satisfied," and you can still get the CD or cassette release, or digital from Bandcamp, of course:

Rick Treffers is a Dutch singer-songwriter and this single released digitally on Bandcamp back in February is choice:

Here's another track from Treffers released this month, "The Best of Your Days." Very pleasing alt-pop from a forthcoming album called "Looking for a Place to Stay." I'll be digging into Treffers' back catalog moving forward for sure, and this makes me very interested in what the new album will sound like. Fans of Belle and Sebastian take note:

Chicago's Nonagon is a three piece outfit who just released their new album "They Birds" on Controlled Burn Records earlier this month. 12 songs of righteous late 90s-inspired indie, reminds me of Cap'N Jazz and what they used to call emo before the kids made that tag mean something different:

In the mail today I received this new Genghis Tron, "Dream Weapon," on vinyl from Relapse Records. It's the Macha-est thing since the last Macha album, however long ago that was. Previous Genghis Tron I've not been able to grok; this, however, I can really get behind. Maybe it's the new singer:

There was a Nintendo game called Ghengis Khan that I loved to play as a kid. I would stay up all night playing that game, finally fall asleep, and then wake up and play it some more. Loved it.

Sunday, August 12, 2018

New From Bandcamp: Electro-Brut from Texas; a Spooky Track from Chicago; and a Comp of Professional Women Whistlers from the early 20th Century

A couple of weeks ago I'd started an essay on PC culture and punk rock, but never got around to finishing it. The point of that essay was, if you think PC culture is infringing on your punk rock good time, you're probably just being a dick and don't realize it. Then this past Friday I started work on a Bauhaus retrospective, which I also didn't complete. Such is life, ya know. Maybe I'll finish those at a later date -- maybe I won't. If I do, you'll be the first to know! (Assuming you follow the blog.)

Love that Freddie Gibbs album "Freddie."

I should have a new show out this weekend -- it'll feature Freak Genes, because their new album Qwak Qwak is great stuff, and we got our record vault semi-organizized, so there should be some fun vinyl obscurities on the show, plus a lot of stuff familiar to loyal CNQers, as CNQ faves The Bordellos, Doctor Nod, Violence Creeps, Simo Soo, Custom Made Music, and Candy and the Suckers have all released new material since the last time I did a show.

The Candy and the Suckers track is awesome -- it's def what I'm trying to do with the electro-brut parts of Occult Character, only a million times better:

The Sexy Turtle Doves from Chicago put out /a lot/ of material, to the point where I don't check out everything they release. This is a cool, spooky track though:

When I first started doing "New From Bandcamp" posts, I was in a heavy phase, having just discovered grindcore and extreme metal. You don't see that from me too much these days -- not because I don't like that type of music anymore, but just because my music taste is relatively fluid. Here's something odd from Canary Records, a compilation of tracks by professional women whistlers, from 1917 to 1927: