New Punk and More

From Florida's XTRO tape label, this band's name is in Greek, so I translated it in Google and it translated it to "SHAMEFUL SHAME," which is a cool band name. Noisey goodness originally released in 2001, SHAMEFUL SHAME is synth punk from Athens, Greece:

So I've grown weary of "egg punk," but if you haven't, and you don't follow Goodbye Boozy, then you're missing out on a lot of new egg punk:

Here's some dancey post-punk, a welcome change from the snotty 3 chord eggpunk formula, a bitchin' new single called "Coming Our Way," from the Washington DC band Light Beams.

A dreamy, quiet single from NYC's June McDoom:

A great, trippy single from a label called Förbjudna Ljud based out of Stockholm, Sweden:

Already Dead Tapes has a split with two new Chicago acts, noise rockers Urine Hell and the industrial/experimental NÜDE. Super cool stuff:

Finally, here's a couple of cool new videos:

Bandcamp Friday

Watching the "Selling Right Now" stream on the Bandcamp homepage on Bandcamp Friday is a little headspinning. After all this time, people still like to buy music. Good for everybody. Except for people who hate the intersection of art and commerce, I guess.

I'll be on KPISS.FM tomorrow at 5PM Eastern, playing some of the stuff I'm going to pick up on Bandcamp tonight, so do tune in and just listen to KPISS.FM in general. When there's not a DJ I'll use Radio Garden to find a cool station broadcasting out there, and I humbly suggest you do the same. The streaming services have their place -- I'm a big Pandora user, myself. But live radio is where it's at.

Here's some stuff to check out and maybe purchase on Bandcamp Friday or just whenever you have some coin:

The Bordellos' The Sunday Experience was originally released as a one sided 10" vinyl EP on Benevolent Antenna Records, I'm not sure the original release date, but now it's available as a pay what thou wilt download and it's 8:47 of good old fashioned Bordellos bliss:

Memphis three-piece The Wirms have a new full length, Wirms III. Great garage punk:

New punk duo, also from Memphis, Little Baby Tendencies have a full length available that came out late last month called "Bad Things." Sounds right to me, heavy y noisy:

Italy's K. Board & The Skreens (also a duo?) are back with Metal Postcard release Microdoze, and it's a doozey:

Also from Metal Postcard, the epic New No York comp has finally landed. I've been waiting on this for a while, and it does not disappoint -- hit after hit, from tip to tail, from Neon Kittens, Salem Trials, Lucy & The Drillholes, and The Clickbaiters:

I'm a big fan of Shit Present's 2016 EP Misery + Disaster, and after 6 years, they're back with a new single, and it absolutely rips:

Dykeritz submitted this with just the Bandcamp link, no EPK, no hello would love if you listened...I respect the audacity of the simplicity of the submission. The song is a bright, electro-pop single, apparently a remaster from a 2019 release from the New Jersey artist:

UK indie artist Marek Kubala has a new 4 song release called Satellite/Ramjam on Shore Dive Records. The EP is composed of dreamy "Satellite" and the more rocking "Ramjam," plus two extended mixes of "Ramjam." I like it:

DAFAKE is a minimalist, experimental electro-acoustic composer from Paris. Their newest album, Quiet Geometry, will be released on Discreet Archive on March 4. In the meantime, check out dsrpt -- two 16 minute improvisations, based on feedback loops and manipulated electromagnetic field recordings, recorded live in June 2022:

Finally, Tuscon's Class has a new 6 song album out you can order on cassette, called But Who's Reading Me?. I enjoyed their self-titled release from last year, and this sounds equally as good so far:

Five Bucks, Eyes and Flys, Salem Trials, The Khats, K. Board and the Skreens, Rudy Now & The Negative Cutters, Legless Crabs, Legless Trials, Desiccate, Noose Sweat, Atoxxico, Shifty Poles, Tin-ear

A new demo from a band called Five Bucks on Poland's almighty Syf Records label. Italian "eggpunk," sounds great:

I did an interview with Syf Records a while back, but haven't been keeping up with their releases like I should.

Tetryron Tapes out of Buffalo has a new full length digital release called "Manic AM" from a band called Eyes and Flys. Haven't listened to all of it yet but Tetryon puts out cool stuff and the first track, "Asbestos Fiber on a Sunbeam," is quality garage psych-punk:

Both Syf and Tetryon are cool tape labels. I've been daydreaming for a while about making a little CNQ boutique label. I tried once before, put out Dr. Nod's awesome Top Tips (see sidebar for ordering info!). Maybe it's time to try to something like that again.

Speaking of cool labels, not a week goes by that Metal Postcard Records doesn't have some new stuff to share. I played both of these bands on my most recent KPISS.FM show. Salem Trials is producing radical tunes at a gazillion miles a minute, and The Khats is the same guy who does K. Board and the Skreens, I think. Great stuff:

And don't forget, also from MP, the latest from Rudy Now and the Negative Cutters:

...oh and the latest Legless Crabs and Legless Trials!:

I've been having so much fun with the KPISS.FM radio show (next one is August 13, at 5P EST, btdubs), and the caster.fm show I turn on and blab into the aetheyr when I feel like it, then post it to Mixcloud. But a blog post can be a hoot too. So let's do an old fashioned CNQ dive into Bandcamp new releases and see what pops up:

First thing of interest, Desiccate's "noisy fuck punk" demo from Hamilton, Ontario. I gotta say, there's nothing better than a noisey demo tape:

More righteous noise, this from Vancouver:

Mexican punk from 1988!:

Synth-punk from London:

Finally, some bitchin' rock'n'roll from Saint Edward Island:

A Quick Trip Through 58 Years of People Makin' Music: The Fall, Gene Clark, Clifton Chenier, Todd Rundgren, Julian Cope, Jean Michael Jarre, BLK JKS, Undeath, Mortuary Drape, Accept, Lil Bastards, and the Pastels

Yesterday I added a few new additions to our record collection. Here's what I picked up, as well as some other stuff I've been listening to (and one thing I haven't listened to yet).

The Fall - Slates 10" re-release from 2016. Originally an EP from 1981. I bought this without realizing -- this 2016 re-release doesn't contain the extra Peel sessions tracks that were added on a follow up re-release in 2021. The 2021 release is readily available and for the same amount I bought this one for. I'm ruined! Anyway, it's a great EP, and the linear notes are a typed letter from from former WFMU music director Brian Turner.

Gene Clark - Collector's Series Early L.A. Sessions. This is a remixed and re-released version of Clark's first album with the Godsin Brothers, remixed five years after it's release by Clark and producer Jim Dickson, and re-released on CBS in 1972. The record didn't sell upon original release, so now that country rock was finding more acceptance via bands like Buffalo Springfield, Crosby, Stills, Nash and Young, and Clark's former band The Byrds, CBS brought Clark in to re-record vocals and remix these songs. Glen Campbell and Leon Russell were on this album, too, along with the Byrd's Clarence White and Van Dyne Parks on keyboard. Anyway I have With the Godsin Brothers so I thought it would be neat to have this as a companion piece. And it does sound different. Also they took out "Elevator Operator" which I thought was a groovy jam but apparently Clark was embarrassed of it.

Clifton Chenier - Bon Ton Roulet! The King of the bayou, Clifton Chenier's 2nd album from 1967, on Arhoolie Records. All of the songs but one were recorded in Houston in '66, except "Ay Ai Ai," recorded in '64. Cool stuff. Zydeco blues. Arhoolie Records started in 1960 and is still around today.

Todd Rundgren's Initiation, from '75, Rundgren's fourth solo album. Rundgren was on an occult kick, so it's got a long proggy jam on the b-side about Theosophical, New-Agey occult stuff. Which, I'm into in theory, but I'm not sure how often I'll be spinning it, which I read on Wikipedia is sorta what Julian Cope said about it:

"When asked if Rundgren had influenced his music, with perceived influences of Initiation on Queen Elizabeth and Rite², Julian Cope responded that he and Thighpaulsandra loved "A Treatise on Cosmic Fire", "but we both bemoaned the fact that it was recorded so long before ambient music had been defined that Todd treated it as an ever-evolving, almost prog-rock piece. We both loved huge elements of that piece but found that we never listened to it. So we tried to build that Todd-like transcendence into our own piece of music [with Queen Elizabeth]."

The first side of Initiation is rockin' tho. Meanwhile, from Discogs:

"(Initiation) is a one of the longest running single disc LPs ever issued (1 hour, 7 minutes and 34 seconds; side B's total time is almost 35½ minutes). However, because of its fragility and reduced dynamic range, the following note was printed on the inner sleeve: "Technical Note: Due to the amount of music on this disc (over one hour), two points must be emphasized. Firstly, if your needle is worn or damaged, it will ruin this disc immediately. Secondly, if the sound does not seem loud enough on your system, try re-recording the music onto tape. By the way, thanks for buying the album" The final suite 'A Treatise On Cosmic Fire' was sped up by half a step to fit the disc with ease, this is why 'Prana' on the 'Real Man' 45RPM 7'' single sounds slower, as that was the speed that was intended to be heard, except all discs and CD reissues play the sped up version used for the original LP. To slow it to the correct speed, using software such as Audacity, reduce the speed by -5 percent."

Here's a 2015 remaster of a track off the first side, the rockin' "The Death of Rock'n'Roll." That's Rick Derringer on bass:

I've also been on a Julian Cope kick. Here's 30 minutes of his ambient project, Queen Elizabeth, mentioned in the Cope quote above:

Continuing with the noodly electronic theme for a moment, I also picked up a copy of Jean Michael Jarre - Equinoxe. From 1978, this is the follow up to Oxygene, which I have, and Jarre's fourth album. I was reading about these two albums under "Critical Reception" on Wikipedia, and apparently critics really didn't like the electronic stuff at the time. I dig it though, and certainly I'm not the only one, so those critics were wrong. Go figure! Here's a video for "Equinoxe 5":

I found a copy of the Secretly Canadian release of BLK JKS Mystery EP with "Lakeside" on it, I dunno if y'all remember that song from 2009? Neat atmospheric, indie/post-alt type of song, very groovy. They're from South Africa. Apparently they had an album out in 2021. They fell off my radar after "Lakeside." The rest of the Mystery EP is as great as "Lakeside" -- spooky, rockin'. There's some pretty wild psych guitar on the track "Mystery."

I had originally went to the record shop to pick up the latest Undeath album, It's Time...To Rise From the Grave, which is killer old school death metal from Rochester, put out by Prosthetic Records. The band really nails it. Here's the video for "Defiled Again." Brutal fun!

But I got home and I had the wrong album -- they gave me Mortuary Drape's latest, Wisdom-Vibration-Repent instead. Mortuary Drape is Italian death metal. I've listened to about half of this now, and it's good - competent, enjoyable:

I took the Mortuary Drape EP back and it turns out someone else who wanted Mortuary Drape got my Undeath album. So instead I picked up a copy of Captain Beefhart and the Magic Band's Strictly Personal, their second album.

This is The Fall doing "Beatle Bones 'N' Smokin' Stones" for a Peel Session in 1996. "Beatle Bones 'N' Smokin' Stones" is from Strictly Personal.

When we were driving to the record shop, the wife and I heard for the first time Accept's "Pandemic," released on Nuclear Blast Records back in 2010. Why wasn't this song playing everywhere the past few years??!?

Though I didn't buy it, we did look up this single when we got home. Wish I would've bought it! Lil Bastards' "Bitch Get A Job," from the halcyon days of 1992. Youtube comments mention this is the earliest work from a producer called Dougie Diamonds -- I'd never heard of him. This 12" put out on Livin' Large Records appears to have been Lil Bastards' only release:

I've also been getting into the Pastels. Here's "Yoga," from 1995's Mobile Safari. There's a video for this, but the only available version I could find was a shitty upload from someone taping MTV2.

Finally, not as poorly recorded but also not exactly hi-fidelity, check out Julian Cope and backing band pretending to do "I Gotta Walk" on Top of the Pops in 1994:

"I know what your father is saying right now...and he's wrong."

New Rock'n'Roll from Bandcamp!

Another reminder to check out the Clean Nice Quiet Etsy shop, got a couple of new paintings up and it'd be cool if you bought one! Meanwhile a lotta submissions to cover and I've got some Cyberpunk 2077 to play and music of my own to record, so let's get this over with.

I started off the last new music post with a new single from Liverpool's Bigflower, so why not do it again? Solid motorik just under the 3 and a half minute mark, dig it:

New San Franciso label Color and Time Tonight's first vinyl release is from Ohio's Wild Wings. Foil Landscape is 4 tracks of killer psych-punk r'n'r, listen below and order the vinyl from CTT here.

Brooklyn solo act Sunk Heaven has a new release on Crass Lips Records called Porous Mirror. Nine rad tracks, a must listen for fans of experimental/industrial noise:

Total Punk Records is an unstoppable force, they've got new Buck Biloxi and Alien Nose Job coming out which I can't wait for. In the meantime, check out this amazing racket from Montreal's Tha Retail Simps, Reverberant Scratch: 9 Shot in tha Dark, due out March 1 and Total Punk's first release of the year. You can listen to three of the tracks already on Bandcamp, and there's videos for "End Times Hip Shaker Pts. 1 & 2" and "Rock and Roll." Described in the TP hype e-mail as equal parts Velvet Underground and Sam the Sham and the Pharaohs; I can't argue.

Speaking of unstoppable labels, Metal Postcard has a number of new releases that all bear repeated listens. First for your consideration is the latest from Brian Bordello, Cardboard Box Beatle, what Brian says is his final acoustic album, and it's probably his best, which is a feat. 11 tracks of heartbreakingly excellent tunes. The words I always use to describe Brian's songs all apply across the 11 song album: raw, honest, amusingly caustic, caustically amusing, and just absolutely beautiful, man. Songs like "Cat Food on the Floor," "Here Comes Eric With His Dead Child Song" and "Salamanda Fruit Fly" are Brian continuing to show us all how it's done. I've been singing "Any Room In Your Life for a Song and Dance Man" in my head all week.

Next up from Metal Postcard, Super Hit is former White Fang guitarist Kyle Handley's solo project, and this 18 track self-titled release is super-solid:

Kyle has another project called The Tyrds and their 8 song release on Metal Postcard is called I Got Shit On My Mind. Fuzzed out!

Salem Trials has a new full length, Foe Fact, and on top of that is releasing a new single every Sunday through February on Metal Postcard. Unstoppable seems to be the secret word for tonight's post, as Andy and Russ from Salem Trials are absolutely unstoppable as well:

Andy Goz from Salem Trials and Son of El Borko from Legless Crabs (who happens to be me) teamed up to release Legless on Main Street, a 9 song effort that features Andy at the top of his game and me just trying to keep up with his undeniable ability to write a bad-ass rock'n'roll song. I like to think of it as the Stones and the Velvet Underground meet Wesley Willis and the Shaggs. It's the best thing I've ever worked on and I'm super proud of it! Here's a track called "Singer" about abusive singer songwriters from the 1970s:

Finally from Metal Postcard, Italy's K. Board & the Skreens have a new EP, 4 tracks of mind-blowing Italian outsider electro-pop. So frickin' good:

Speaking of Legless Crabs, I've been busy with my made-up Naive Noise Rock Collective over on my own Bandcamp pages. Here's three new releases of naive noise rock I've put out. Enjoy at your own risk:

More submissions to come. I got other shit to do now tho. Look out!

Will Feral (Texas); David Wallraf (Germany); Lars Haur (Oklahoma); The Usurpers (Salt Lake City); Night of Rage (Russia); Captain Average (Hungary); K. Board & The Skreens (Italy); The Conspiracy (U.K.)

One of my favorite sub-genres of noise/experimental/ambient/electronic music is the "score for non-existent film scores for film" category. Back in college in the late 90s I took a poetry class and I remember being very proud of a particular poem I wrote called "Invisible Movies." I don't have it handy but it began with something like

"This is the soundtrack for a movie that does not exist"

Maybe it's not as cool as all that, but for years, before and after I wrote that poem, I did make soundtracks for movies that didn't exist (i.e., mixtapes on cassette and then later on burned CDs). And then when I began my Will Feral electronic project, the goal was to make scores for films that, of course, don't exist. My most recent cyber-punk themed attempt was "Hellweb," which is out on Metal Postcard Records:

At any rate in recent years I've seen several other people use the same terminology about making non-existent film scores, and I think that's pretty neat. I'm not saying I invented it, of course. It's not a difficult concept to think up (especially if you're, to quote Jon Stewart, "on weed," or maybe you're just a sober yet creative individual, whatever); but it's fun and interesting to be contributing to a micro-genre mini-zeitgeist.

David Wallraf is a noise artist and researcher out of Hamburg, Germany, and his latest release, Subsongs, is also "supposed to function like the soundtrack to a nonexistent film," a non-existent film about birds, according to a pdf he supplied about the release. It's availble on cassette, and limited to 30 copies, from German experimental label Econore. 10 tracks of fascinating noise textures, complete with field recordings of birds. Very impressive and inspiring. Here's the second track from the album, called "Parliment of Birds," which, according to the PDF linear notes for the album, "refers to both a fictional secret language in William Gibson’s 2014 novel The Peripheral and the ancient Persian poem ر الط منطق ("The Conference of the Birds") by Sufi poet Farid ud-Din Attar." Too cool:

Over on Wallraf's own Bandcamp page, he has a number of releases, both digital and physical cassettes, and the most recent, released back in December, is a 20 minute, two track release that is panic inducing at its heights and highly recommended for noise freaks:

Lars Haur is an experimental artist from Oklahoma, and his latest release is a 4 song EP called Valences :2​:​2​:​2​:​2:. It releases Jan. 31, but you can hear the first two tracks already on Bandcamp. Of the EP, the artist says it is an "uncomfortable ambient EP created through a combination of typical writing and heavy use of semi-random generation of melodies. These semi-random melodies were then processed through a long chain of varied FX that were combined in a likewise semi-random fashion. The name of the EP derives from the characteristic of elements that dictates what other elements they may combine with."

Pivoting from noise to more straightforward hardcore punk, The Usurpers are out of Salt Lake City and have a split with Russian band Night of Rage, a cassette is due out this month but the Bandcamp page doesn't mention it. Fans of DIY hardcore should enjoy:

Captain Average is a 3 piece fronted by László Sallai, who I'm told is "one of the most active member of the Budapest underground," playing in various underground bands and running a cassette label and DIY booking agency. Captain Average "mixes post-punk with krautrock vibes and the lyrics are reflecting on Eastern Europe’s political issues." Their first album is an 11 song digital release called Heaven Capitulates. The single, "In The Post-Future," is a fun listen:

And, finally, it wouldn't be a CNQ post without new releases from the aforementioned Metal Postcard Records. K. Board & The Skreens Langue - EP is the debut album from the Italian group with only one member, and MP describes it as "bedroom electronic 8-bit chip music and add the magic of Italo." Sounds right to me. Super-tight:

The Conspiracy I assume are British. MP says: "Old songs re-recorded and released on Metal Postcard Records...It's like listening to the missing link between Squeeze & The Clean and World Party. They also have the uncanny knack of creating choruses that conjure up echoes of Steve Harley & The Cockney Rebel." Highly listenable:

Punk, Alt and Indie from Argentina, Switzerland, Japan, Italy, the UK and Australia

Like, at this point, what is the difference between "alt" and "indie" rock? Was there ever a difference? I typically just go with however the band or artist describe themselves. It doesn't matter really. Rock'n'roll is finite, and will only last as long as its youngest fan -- so enjoy it while it lasts, aficionado!

Here's Argentina's Desborde with a steller new punk single and a b/w, featuring one of the guys from Emboscada, whose demos I've featured on CNQ a couple of times. This go-round there's some synth and it's just totally rockin', a must-listen:

Voodoo Rhythm Records is from Bern, Switzerland. Active since 1993, they specialize in garage punk, surf, trash rock, and one-man bands. Here's a smattering of what they have to offer. Cool stuff:

Alien Nosejob is the solo project of Australia's Jake Robertson, the guitarist from Ausmuteants. Ausmuteants we haven't heard from in a while, but Robertson has been busy with Alien Nosejob. I got Suddenly Everything Is Twice As Loud on vinyl last year, after it's January 2020 release, and it is super solid. HC45-2 is his third Alien Nosejob release since, and I haven't listened to any of these, so I need to do a little catch-up. Robertson is a talent -- HC45-2 is noisy punk with elements of thrashin' metal guitar shredding, not like the Devo-esqueness of Ausmuteants at all, but equally as enjoyable. It's interesting, on the Alien Nosejob Bandcamp page, it makes no mention of Robertson being with Ausmuteants, which I feel like got big enough underground-wise he would want to make the connection/remind folks? Who knows. At any rate, you owe it to yourself to listen to this six song, eight minute EP. Totally rockin':

If I like or think an artist or band is half-way promising I'll follow and subscribe to their Bandcamp updates. So since I've been doing this since 2012, I get a ton of Bandcamp updates daily. But I'm very bad at following up on these new releases from bands I've tracked, preferring instead to dig around the Bandcamp new releases, just because that's fun to me. Lately I've been on a tear with CNQ, so I'll try to do some upkeep with these Bandcamp new releases I get, in addition to my preferred method of digging through the new releases. Here's a couple from Don't Worry, a band from Essex. My touchstone for this sound is Los Campensinos and '80s UK alt-rock. Enjoyable indie-rock:

You can also order a promotional poster for these two tracks. The art is cool, check it out.

New HC from Bandcamp

Posting more on the blog wasn't one of my 2016 resolutions, but I should do more of it anyway.

This 3 song EP from a Parma, Italy hc garage punk band was originally put out on 7" back in April of '16. It sold out and now they've got a re-release available.

This 2 song EP from Shitty Life is due out on 7" from Euro Trash Records in March 2017:

From a 2 song sludgecrust effort, Black Aspirin are from Prague:

Podcast coming up later this month will feature some obscure vinyl as well as more recent material from the recently defunct OSR Tapes label.

Let's Rock'n'Roll

I've been away for almost a month. This catches us up with some CNQ faves to around the first of July:

New German punk courtesy France's Crapoulet Records. The band's name translates as "Man Poops His Pants."

Also new via Crapoulet, this is from Croatia:

From Richmond VA and Grave Mistake Records:

Lo-fi pop from Japan:

More lo-fi, garagey pop, from Kentucky:

German label, Australian band:

From Small Bear Records, this is rad UK post-punk featuring members of a few different Small Bear Records bands, including The Bordellos and Postcode, longtime CNQ faves.

Rad nu-gaze from Italy. Cool video too:

HC Texas band from my backyard, German label:

California straightedge HC courtesy the Sorry State Records update

Randy Records and the band are from Chicago. Cool garage rock:

Germany's Tramp Records has put out another cool rare funk re-issue, this one from 1969:

Ermanna Melli: "Avevi Ragione" (New Star Records #1004, 1965)

New Star Records operated in Milan, Italy from the 1960s to the 80s. Ermanna Melli's "Avevi Ragione" ("You Were Right") is the B-side to "Cos'e' Questo Desiderio" ("What's This Desire"). Both tracks were written by Crisci-Gial, and I can't find any info on that songwriting team. Both tracks were produced by maestro Angelo Camis, who also founded the label.

I can't find much on Ermanna Melli herself, and this seems to be her only work for New Star - maybe her only release period. Per the site Music & Memory, a backing band called The Whole may assist her on this record. This ebay listing has a picture of the original sleeve of the 45.

Like I said, both tracks on this 45 were written by a team named Crisci-Gial. I did find a poem, "Mary Was The Poetess," on the site poetrysoup. It's copyright 2009 by Andrew Crisci, whom I believe is Mary Crisci's brother. In the poem he talks about how Mary wrote the song "Cos'e Questo Desiderio" when she was 18, and it was recorded by Ermanna Melli, "from the city of Forli." The poem is a very pretty tribute to his sister, you should check it out.

Both the A and B sides of this 45 are enjoyable 60s pop. Kind of reminds of me of French ye-ye. Someone on Youtube beat me to the punch with the A-side (posted below), but the B-side, to my knowledge, has yet to be featured on the Internets.

Click here to listen and download Ermanna Melli's "Avevi Ragione."

I think this embedded player works on phones and some browsers:

...and here's another way to download "Avevi Ragione."

I forget where I picked this up; either at B4 or at a Half-Priced Books. I think it was mixed in with a stack of Latin 45s, if memory serves.

The Nerds: "I'll Kick You In The Balls" (1998)

From 1998, off the Don't Like You 7", on No Name No Logo Records. The Nerds were Italian punks and this song is a humdinger. Here's their discography, up to 2001, at least. From that link, I found that the Nerds are now The Nerds Rock Inferno, and, judging from the jams on their myspace page, are more of a metal act these days. Their own website is under construction, and, oddly, in Japanese. I asked Google to translate the only text on the page for me:

"We are committed, for each under construction, please be careful as the tail. We apologize for any inconvenience this may cause."

I picked this one up for $3.00 at a Half-Price Books, but I don't remember if it was the one in Garland or Watauga.

Download: I'll Kick You In The Balls"