excellent Bo Gritz and Private Mind of the Moviegoer releases. Apologies to
each for the oversight!
Feverbones: “Sleepwalking” (Dream Talk, ATH Records, 2018)
We'll see if I remember to do that in 2.5 months. I went and shot basketball by myself at the rec center tonight. It was the first time I'd done that in over a decade. I had a goal growing up and always enjoyed playing 21 and HORSE. I tried out for the basketball team my freshmen high school year but I was too much of a wuss to get past try-outs. That being said, I wasn't bad, for a white kid of semi-average height. Tonight was like riding the proverbial bicycle. It all kind of came back to me. I practiced from the free throw line first. I aimed, let the ball roll off my finger tips. After a couple of air balls and some that bounced off the rim and backboard, I finally got one in, using the backboard. After a few more, I netted one, and it was pretty thrilling. I started taking shots from various points behind the three point line. I landed a few, netted one. I tried a lay up. That didn't go well. I got some more in from the free throw line and called it a night.
My b-ball adventure only lasted about 15 minutes -- the previous 15 minutes I had been walking around the track upstairs -- I was winded and sweaty, this was the first exercise I've gotten in at least a year, if not more. I hope I keep up with it, shooting hoops was a lot of fun. I daydreamed about getting good enough that I could play a pick-up game and not embarrsass myself. We shall see.
The whole 30 minutes I was at the rec center, I had in my headphones and was listening to popular 80s music on Pandora. It's a station I've been training for years named Breakfast Club Radio. It's very comforting. Occasionally I'll hear a song I'm not familiar with, like this Depeche Mode song called Precious, which is actually from 2005. Per Wikipedia, it's the band's forty-first single, and the first single from their eleventh studio album Playing the Angel. I've only recently began appreciating Depeche Mode so I just assumed it was something from the 1980s I'd never heard.
I'm not that familiar with the Cure's discography, but most of the time, when I hear them, I find them embarrassing. All that baritone emoting is a turn-off, man. That being said, I enjoyed this track, which, per Wikipedia, is the only single from their third studio album, 1981's Faith.
I love the Fixx's "One Thing Leads To Another" and "Saved By Zero." Those are great singles. I've never really heard anything else by them though, so I was excited to hear this song, Liner, a track from Reach The Beach, their second studio album and the same one that features the above two mentioned songs. I need to check out the rest of that album.
Things I've had to thumbs down on my Pandora Breakfast Club Radio: "Bette Davis Eyes," by Kim Carnes, and "Love is a Battlefield," by Pat Benatar. I just can't anymore with those two singles. I will listen to Material Girl, or Manic Monday, or Heart and Soul by T'Pau, every day of my life, but I'm tired of Bette Davis Eyes and Love is a Battlefield. Sorry. I also had to thumbs down "We Got the Beat" by the Glee Cast. I love the Bee Gees version, and listen to it every time it comes on. I'll be goddamned if I'm gonna listen to something from the Glee Cast.
But that's just me.
Anyway, one thing I can complain about for my Breakfast Club Radio is it doesn't play near enough Lisa Lisa or Information Society. I'm gonna remedy that now.
Singer/songwriter and acoustic guitar, lo-fi anti-folk from Tennessee, digital dl for pay what thou wilt. I wish this is what I was doing:
First song off a five song EP you can get on cassette or digital, released by Sad Tapes in London. Bo Gritz also based in London -- bad ass now wave. Cassette is 5 pounds or digital dl is 2.50:
First album for these punks from Austin. An 8 song effort, pay what thou wilt:
Radicalness from Portland. 5 song digital album for $4:
From Resonance FM's Mixcloud page:
"Resonance is a trail-blazing, not-for-profit radio station dedicated to the arts and culture. From its launch in 2002, its award-winning programming has given voice to the vibrant diversity of London's thriving arts and music scenes. Resonance's pool of creatives speaks directly and expressively to an engaged and passionate audience, locally, nationally and internationally. Our 24/7 broadcast service combines its FM signal in the City with DAB digital radio coverage across Greater London."