Saturday, February 17, 2018

Some Thoughts & Some New Tunes.

I used to do these posts where I'd go through my Bandcamp email updates from the bands and artists I follow and post the best new stuff, then go into the New Arrivals/Punk section on Bandcamp and find cool stuff I'm not following already, and follow and share that, too. It got out of hand fast, creating way too many Bandcamp updates for me to go through every week. Case in point: after going through 10 or so Bandcamp updates from just yesterday, there's still 12 more Bandcamp updates, plus four label newsletters. It's too much for me to go through and still think this blog is a fun hobby.

Still, any time someone contacts me directly with music they'd like me to share, I'll be sure to listen. If it's a promo mass e-mail, it's 50/50 whether or not I'll listen. Label newsletters I should pay more attention to than I do.

Anyway. If a band or an artist contacts me directly, I always listen, and if I like it, I'll share it on the blog or on the podcast. That's a fact.

I'm guilty of not replying if it's something I don't dig, tho. As I've often stated, I'm not a critic. I've never felt comfortable telling someone "Sorry, I don't like it, and won't be featuring it on my shitty little blog," when they have put a lot of time, effort, and emotion into creating art -- art I can't do myself -- and then further time, effort, and emotion into reaching out to a fellow human who ostensibly enjoys all sorts of music.

Like anybody, tho, I have my own musical tastes and spectrum of what I think is cool and/or groovy to the maximum/achieves total heaviosity. And while I am proud that my tastes are varied and my grooviness/heaviosity spectrum is wide, and I always keep an open mind, especially on the stuff that isn't exactly my jawn, there's still the fact that I just can't like everything.

But, if someone has contacted me directly, and I'm not into their tunes, I'm being rude not responding to them directly. I apologize to anybody I've done that to over the past five years. From now on, I'll respond with a polite "not for CNQ" type of missive, and include a sentence or two about what I do like about the song or album.

And then I'll just sound like another phoney-baloney armchair critic, willing and able to pick apart art which I myself am unable to create. Fudge. Frowny-face emoji.

I’m not trying to disparage all critics, and certainly not anyone who does it professionally and with integrity. We need critics and gatekeepers. I’m just saying that I’m not a professional in that field, and don’t want to give the pretense that I am one.

I ran all this past a critic friend of mine and he said perhaps I should come at all this not from a critical level but an editorial one, which does make sense. There’s certain music that’s right for the blog and certain music that’s not.

At any rate, like I said, if you contact me directly, I will listen, and if I like it, I'll be happy to feature it on the blog or the podcast -- contact me: matt at clean nice quiet dot com. In the meantime, from the ten or so Bandcamp email updates I went through tonight, here's a little curated cool new newness:

From Pittsburgh's Brightside, after a three year hiatus. $5 on vinyl or $2 digital dl. It woulda been called college rock in the 80s, alt-rock in the 90s, indie rock in the oughts -- it's melodic rock'n'roll that sounds cool:

From the same state as Brightside, but in an old school hardcore vein, x= is back with Symbols, a 19 song cassette compilation, remixed and remastered songs recorded and previously released from 2012 to 2017. I'm a big fan of x=, it's super-solid old school hc. I've heard plenty of bands adhering to an 80s hardcore aesthetic that come across sounding corny, dated, or derivative, but, IMO, x= performs within the genre while sounding honest, fresh, and interesting. X= is cool af.

I slept on x='s 4 song digital EP called Tribes, put out in June of last year, but all four songs on that EP are on Symbols.

Here's some more meditative handpan action from Earth, TX. I've featured Robert Rothbard on the blog and on the podcast before, I'm really into this stuff. 6 songs for $2 dl:

Saturday, February 10, 2018


An hour and a half of new rock'n'roll, vinyl obscurities, and more. Listen above, or dl/stream
at iTunes or any fine podcast app.

Doctor Nod: “DYWTBIMF?” (DYWTBIMF? b/w My TV Set, 2018)
The Psychotic Monks: “It’s Gone” (Silence Slowly and Madly Shines, Custom Made Music, 2017)
The Morelings: “We Were” (Same Century, Custom Made Music, 2017)
Billy Hutch His Harmonica and Orchestra: “Eefin-Nanny Monkey”
(Eefin-Nanny Down Home, Time Records, 1960)
Huey Smith and His Clowns: “Pop-Eye” (Pop-Eye/Scald-Dog 7”, Ace Records, 1961)
Bobby Sherman: “La La La (If I Had You)” (Bobby Bobby Bobby,
Metromedia Special Products, 1971, originally released 1969)
The Great Dismal Swamis: “Box Wine Bitches” (Phantom Tollbooth 7”, RZO Records, 2014)
T. Rex: “Raw Ramp” (Bang A Gong (Get It On)/Raw Ramp 7”, Reprise Records, 1971)
John Wayne: “The Good Things” (America, Why I Love Her, RCA, originally release 1973)
Public Enemy: “Fight The Power” (Fight The Power Extended Version, Motown, 1989)
Beethoven: “III - Scherzo: Allergro vivace”
(Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”, The Cleveland Orchestra George Szell Conductor,
Columbia Odyssey, 1978)
Wah!: “The Wind-Up” (Nah=Poo - The Art of the Bluff, Eternal, 1981)
The Paper Chase: “I’m Gonna Spend The Rest of My Life Lying” (Hide the Kitchen Knives,
Southern Records, 2002)
Milk Teeth: “Vitamins” (Sad Sack, 2015)
Los Panchos: “Perfidia” (Mexican Holiday, Tico Records, originally released sometime
between 1948 and 1956)
The Ahmad Jamal Trio: “Squeeze Me” (The Ahmad Jamal Trio, Epic, 1956)
Lani Laurens and His Royal Polynesians: “Hawaiian Girl”
(Lani Laurens at Waikiki Beach, Spin-O-Rama, originally release sometime in the 1960s)
Jimmy Smith: “Dirty Roosta Booga” (I’m Gon’ Git Myself Together, MGM, 1971)
Violence Creeps: “Amber Alert (Underwater Edition)” (Ease The Seed Bag, 2017)
The Bordellos: “For A Hit” (The Bordellos Underground Tape 11, 2018)
Chow, Billy: “Elvis Was A Hillbilly (When He Was Alive)” (Flamethrower EP, 2018, originally released 1990s-early 2000s?)